You should find there is much more definition, better handling of details and less blurring. Improved skylight shadows and lighting in the Rendered display mode.
Adjust the value of the 'Blur' parameter to change the strength of the depth-of-field effect. Adjust camera: move different camera points to navigate camera: position, tilt, target, filed of view. Also,when clicks 'Follow Focus in Camera',it can support the function of auto follow focus. CMD Camera: switch camera of your selected viewport on with Show. Naturally no permanent changes to the model are made. Turn on the Depth-of-field switch, click 'Set Focus', click the object you want to focus on in the scene, and determine the focus position. This does much the same thing but in the final rendering output - it still renders with the current renderer, but before rendering it switches all of the materials to white (and so on).
You cannot see anything farther away than the far clipping plane, nor. The dotted rectangles are near and far clipping planes. It is essentially “ambient occlusion” mode. (2) The camera location can be used to move the whole camera widget. It is sometimes called “Clay” or “Plaster” on other platforms. This is a viewport display that turns all of your objects white, turns the background white, and adds soft shadows. I’ve held off from announcing it because we’ve been waiting some other other technology to catch up, but as of today’s new WIP, I’d like to draw your collective attentions to these new features: Some of the more alert among you might have noticed the new “Arctic” viewport mode.
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